Maggie Nelson’s virtuosic body of work is splendidly difficult to categorize. It includes a study of cruelty in art and culture, a memoir about her aunt’s murder, a critical monograph on the New York School poets, a lyric meditation on the color blue, and several books of poetry.
In this seminar we read as much of Nelson’s writing as a 10-week term allowed, as well as interviews, reviews, and affiliated texts. Her oeuvre raises rich questions about genre, cross-pollination, intertextuality, experiment, research, and literary hybridity, and these questions animated our work together.
All readers who stumble upon this site are welcome and encouraged to dip into the syllabus, read the texts, and post comments.